Babette Mangolte Filmes

Presents an intimate view of four decades of the Swiss-born artist Robert Frank who has had an extraordinary influence on contemporary photography...

An unfinished Chantal Akerman film about the troubled youths and drug addicts going through rehabilitation in Yonkers. Myra Alfreds, who commissions...

Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story...

The film chronicles the work of choreographer and dancers on the stage in Minneapolis preceding the premiere of Trisha Brown’s Lateral Pass in...

Various unrelated vignettes, often juxtaposing sound and image.

Two women meet at a crossroads... A chance encounter between two women struggling to stay afloat, in an era of the downsizing of dreams. Ross...

A personal meditation on the landscape of the American West that tracks the ruling conception in nature in the 19th and 20th centuries from the...

A filmed record of a solo performance by American postmodern dancer and choreographer Trisha Brown. In order to better understand the dance, Mangolte...

Trisha Brown original Roof Piece became an emblem of the 1970s for concentrating the spectator attention on far away rooftops. The 2011 dance in the...

Home movies shot on Super 8mm by W+B Hein over 10 years.

The above narrative, by Simone Weil, the French philosopher and mystic, was written into her last notebook. The places filmed show where she lived...

A pair of one person's hands toss a block of lead back and forth.

A documentary that follows up on what happened to the three principle actors in Robert Bresson's "Pickpocket."

Time: the 1970’s. Place: New York City. This dramatized essay explores how women feel about verbal harassment by men on the street. What do...

Autobiographical film about Loulou (Jackie Raynal) who seeks a job as an editor on Broadway, shares a loft in Soho and marries an entrepreneur.

A naive look at Southern California by an outsider, and/or an essay on displacement through the disjunction of Californian images and off screen...

"To begin with, we have Babette Mangolte, the camera technician on Hotel Monterey, La Chambre and Jeanne Dielman, but who for me also symbolises the...

The film is about looking. I bet that slight variations of few recurrent elements would encourage the viewer to free associate and to fantasize a...

Two women are in search of a home in the Southern California landscape. From the outside looking in, they see the single-family home as the locus of...