Luiz Carlos Lacerda Filmes

Enterprising youths live many adventures when they decide to start a business specializing in making video clips for rock groups.

Documentary that addresses, through the testimony of directors and actors, the work of Dib Lutfi, considered one of the greatest photographers of...

Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues...

In a small town in the State of Minas Gerais, Brazil, a woman rebels against local morality after her child dies, with tragic results.

Cinema in 7 Colors traces an historical panorama of how the queer people were portrayed in the Brazilian silver screens, from its origin in the...

Father Simão Bacamarte arrives in the small town of Serafim to investigate a certain phenomenon of madness.

In the 1970s, in the midst of a military dictatorship, composer Jards Macalé and filmmaker Luiz Carlos Lacerda (Bigode) shared a house in Rio...

Tadeu, a poor lad from the Northeast of Brazil, comes to Rio de Janeiro to try his luck. His good looks and education win him the favor of rich...

After being fired from his job and have his unemployment insurance money robbed, a young man decides to become a robber himself. While escaping...

Topless muse in Rio de Janeiro, Ana Paula Nogueira uses the ban on bare breasts and her story to debate freedom and feminism in the city that...

Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.

In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

Inspired by the US paper “Gay Sunshine”, in April of 1978 appeared in Brazil – during the dictatorship – the newspaper...

In the 17th century, to guarantee the possession of the region, disputed with Spanish and Dutch pirates, the Portuguese built a fort at the point...

The city of Rio de Janeiro in the films of Nelson Pereira dos Santos contextualized by critic Rodrigo Fonseca.