Keith Sanborn Filmes

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007...

Made in collaboration with Keith Sanborn, The Deadman is based on a story by Bataille, charting "the adventures of a near-naked heroine who sets in...

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons,...

My aim is to create a highly compressed museum of cinema, consisting of some of the most notoriously engaging, difficult, and lengthy works of film...

Here Ahwesh's heterogeneous textual approach comes to the fore, as she juxtaposes narrative, faux documentary, comedic and "serious" footage, and...

Heretic is composed from the outtakes of Joe Gibbons's no-budget feature The Genius, set to John Zorn's Naked City "soundtrack" album Heretic, and...

Joan of Arc and Dorothy of Kansas become one thanks to Hildegard von Bingen.

A film by Keith Sanborn

“DREADFUL PENNY DREADFUL dares to violate every remaining shred of ‘good taste’ using the vehicle of Brecht and Weill’s...

Part three of a cycle of digital video works I'm beginning to call-after Bataille-«Theory of religion, theory of ecstasy.» The other two...

"A didactic treatment of the Reagan assassination event /coverage as spectacle. Nearly anyone in the world who turned on a television that day, or...

An exploration of Joan Jonas’s studio in Nova Scotia in August 2019, by night with torch, but no spear. Special thanks to Peggy Ahwesh for...

A slow four-part film on death and the persistence of the dead. Where ignorant armies clash by night: the dolphin-torn and gong-tormented sea.

“A theory discourse among three participants, enacted in silhouette.” –Tony Conrad

2019, 1 min, digital

1980-88, 11 min, 16mm, silent. Preserved by Anthology Film Archives. Separate digital soundtrack accompaniment.

A short essay on the triangular Square du Vert-Galant, one of the favorite repairs of the vanishing Paris of Guy Debord. Yet another slow film.

Henry Hills’s Emma’s Dilemma reinvents the portrait for the age of digital reproduction. In a set of tour-de-force probes into the images...

An exploration of Keats’s proposition, that “when a man is capable of being in uncertainties, mysteries, doubts, without any irritable...

In one incredibly long take we see the arrival and disappearance of John Kennedy's body as it is delivered from Dallas aboard Air Force One.