Ute Aurand Filmes

In Aurand’s signature diaristic form, roses in bloom, farm animals, Orkney landscapes, and scenes of the late filmmaker Margaret Tait having...

Beavers revisits locations in Berlin first filmed in Diminished Frame (1970), alongside sites in Massachusetts, to reflect on how lived places shape...

Filmed in Switzerland and released as part of a triptych with A Walk, Zuoz features the filmmaker Robert Beavers skating on ice. Beavers represents...

For Dreaming the Dark: hands that see, eyes that touch, Ana Vaz invited artists and filmmakers whose work trust cinema’s capacity to transform...

Short film featuring images of flowers.

A triptych of three short silent films. A Walk through the winter of Engadin and Bergell, scenes in the park of the Rietberg Museum in Zurich with...

For a year at monthly intervals, Ute Aurand and Bärbel Freund filmed In the Garden, a lovely portrait of a Potsdam-Bornim garden designed in...

Flug durch die Nacht, shot during Ilona Baltrusch's studies at the Deutsche Film- und Fernsehakademie Berlin - DFFB, explores the relationship...

Experimental film about a train ride. The carriage window becomes a screen, the landscape a mood, the mood a landscape.

Young Pines grew out of three trips to Japan between May 2009 and November 2010. Invited to Japan for a series of film screenings, I began filming in...

A filmic encounter with Brazil, which Aurand visited for the first time in September 2022 for screenings of her films and Margaret Tait’s in...

Shot on 16mm, Ute Aurand documents the archive of Kino Arsenal - Institut für Film und Videokunst before its contents underwent a thorough...

Aurand and Pfeiffer filmed each other at four famous sites in Europe: walking in a summer dress through the snow in front of the Reichstag in Berlin,...

2 minute film about two Japanese ladies.

A walk, a moment at the beach... And the Japanese filmmaker Utako Koguchi behind the heard piano.

Manifesto of a group of young women who were to conquer the camera and use the medium from then on for self-questioning and self-assertion.

Throughout her work, Aurand frequently makes her camera and her images felt as an active, moving body—spinning, rushing, departing, returning,...

One day in Neubrandenburg, filmed in a small city 130km north of Berlin in September 1995.