Filmes

“Selected Treecuts” is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition...

In Warp, Steina makes use of her two favourite features of the Image/ine software, written by Tom Demeyer. The first feature –...

With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface

Documentation and experimentation in real time, "Orbital Obsessions" is an example of early video self-portraiture, eerie and calm in its radical...

A "remix" of Hollis Frampton's film Artificial Light.

In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid...

electro / opto / mechanical / environment