Kogonada Filmes

Sarah and David are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on a...

Founded by Richard Linklater in 1985 as a screening series dedicated to bringing experimental and art cinema to the city of Austin, Texas, the Austin...

When a renowned architecture scholar falls suddenly ill during a speaking tour, his son Jin finds himself stranded in Columbus, Indiana - a small...

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the...

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the...

In this brand new featurette, executive producer T Bone Burnett and the Coen brothers discuss the history of some of the songs that heard in Inside...

Video Essay on King of the Hill

Of all the recurring signatures of Malick, his use of fire and water might be the most telling, in part because there’s a significant shift...

The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a...

Kogonada's visual essay about the formalistice choices of master filmmaker Stanley Kubrick

Reframes the school lunch debate through an examination of the program's surprising past, uncertain present, and possible future. Six kids from one...

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

Filmmaker ::kogonada explores director Ingmar Bergman’s “Cries and Whispers," a film in three movements.

A visual essay for "La dolce vita," directed by Kogonada for the Criterion Collection.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes...

In the 1960s, pioneering French New Wave filmmaker Jean-Luc Godard introduced the world to a new cinematic lexicon, generated from his innovative,...

A video essay on how Andrei Tarkovsky’s Solaris transcends science fiction.

"I wanted to write a fantasy with the atomic bomb as the theme." – Nobuhiko Obayashi

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs,...