Robert Huot Filmes

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma),...

LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so...

"Beautiful Movie" is a filmic cameo during which a passage of blue film leader and clear film painted red introduces a lovely image of a woman, naked...

Film by Robert Huot.

A section from ROLLS: 1971, which I feel stands well on its own. The continuous field of falling snow appears to break into three planes or zones of...

“For Black and White Film, Huot created his own photographic imagery for the first time. After a few moments of darkness, a young woman (Sheila...

The motif of having people slowly approach the camera first appears in Nude Descending the Stairs, an interesting minimalist work made up of three...

This film is the quadruple superimposition of four faces, two men and two women. These images often appear to be one fantastic undulating face...

“…(a) serialist comparison-contrast of the variations in nine naked male and female torsos.

Dark, Scenes from the Barn superimposes bucolic barnyard activities with jarring images of hidden desire

One Year (1970) is a series of forty-nine rolls of 16mm film, nearly all of them unedited except in the camera, and all of them silent. The flares at...

Two reels projected simultaneously, with slight variations in speed.

The Super-8 films include some of Huot’s most impressive filmmaking and some of the most impressive Super-8 filmmaking I’ve seen...