Joel Schlemowitz Filmes

Filmmaker Alyssa Bolsey stumbles on a treasure trove of vintage cameras, old film reels, fading photos, technical drawings and boxes of documents...

While working on a documentary on his old neighborhood, a young film school graduate shifts the focus of his production onto the disappearance of a...

A young man sets out on a journey to the Ogre's lair, in search of a feather with the power to save a dying king.

A documentary team gets a grant to do a film on a rare fatal disease that is attacking homeless people. However, they quickly find the film too...

A short filmic portrait of Morris Engel’s watch-part collages.

Poem by Wanda Phipps (as read by her) and accompanied by the typeoclavecin, a typewriter as a musical instrument, built by the filmmaker for the...

A scratch film.

A camera roll. Forty years celebrated in four-thousand frames.

"After Henri Duparc's setting of the poem by Baudelaire, which is heard in faint echo on the soundtrack. Rococo adhesive transparencies over...

"My tribute to the filmmaker whose works helped give birth to my inpiration and my joy in experimentation with the medium of film. As a filmmaker, I...

A film by Joel Schlemowitz

Two camera rolls shot at the Collective Unconscious during a performance of "Teslamania" featuring Gecko Saccomanno and Tesla Coil Engineer Jamie...

Lights at night on Avenue A, shot on black and white and extensively and laboriously hand-colored.

This film is a collaboration with filmmaker Joel Schlemowitz, on ALL SAINTS DAY 2001 we each shot 100 ft of film, at the same time of the day, 3000...

A short film of Emily Dickinson’s poem number 1734, which begins with: “Oh, honey of an hour”. The words of the poem appear hand...

A short and lively 16mm portrait of comic book artist and performer Dame Darcy, seen through a filmic tour of her comic book, “Meat...

Corpuscles dash about. Nerves twitch. Neurons fire. Anatomical illustrations, overlaid with the body's activities scratched and handpainted directly...

SHARE at the Project Room, in the final night in the silo, with a soundtrack of Gowanus environs.

3 minutes of painful and pleasurable images glimpsed in negative juxtaposed with a single long scratch played on an optical reader on the soundtrack.

An unedited, double-exposed camera roll shot at the Robert Beck Memorial Cinema, NYC, on the occasion of a birthday screening for Bradley Eros.