Joel Schlemowitz Filmes

"After Henri Duparc's setting of the poem by Baudelaire, which is heard in faint echo on the soundtrack. Rococo adhesive transparencies over...

"Made in the intentionally amaturish in style. No plot. No story. Just a series of suggestive tableaus."

A hand-cranked film of a wind-up record player, hand-colored to simulate the unheard music.

FOGG was inspired, in retrospect, by Marie Menken’s BAGATELLE FOR WILLARD MAAS.

Poem by Wanda Phipps. Film version of an installation piece shown at the Courthouse Gallery at Anthology Film Archives.

Corpuscles dash about. Nerves twitch. Neurons fire. Anatomical illustrations, overlaid with the body's activities scratched and handpainted directly...

Two camera rolls shot at the Collective Unconscious during a performance of "Teslamania" featuring Gecko Saccomanno and Tesla Coil Engineer Jamie...

A film by Joel Schlemowitz

Poem by Wanda Phipps beginning "pink around a circle of pink" heard on the soundtrack. The poem appears as flickering words and colors.

A film of "morning poem #43," by Wanda Phipps. The color was created through hand-printing black and white film with a flashlight and colored filters...

"My tribute to the filmmaker whose works helped give birth to my inpiration and my joy in experimentation with the medium of film. As a filmmaker, I...

3 minutes of painful and pleasurable images glimpsed in negative juxtaposed with a single long scratch played on an optical reader on the soundtrack.

Jonas Mekas's loft. Two rolls of 16mm film shot one week after his passing. In memoriam.

A short and lively 16mm portrait of comic book artist and performer Dame Darcy, seen through a filmic tour of her comic book, “Meat...

Poem by Wanda Phipps (as read by her) and accompanied by the typeoclavecin, a typewriter as a musical instrument, built by the filmmaker for the...

American experimental filmmaker Joel Schlemowitz here pays tribute to Joe of Swiss Camera, a friend who repaired all of his Bolex 16mm cameras. A...

A camera roll. Forty years celebrated in four-thousand frames.

A film by Joel Schlemowitz

The day the Film-Makers' Cooperative was forced by loss of lease to move from their offices at Lexington Ave and 31st Street in New York City.

A tableaux vivant. The sound of the victrola employed "live" for screenings, utilizing the Vitaphone sound system. Created as part of Residency...