Yann Beauvais Filmes

“How should we describe a work such as TU, SEMPRE by Yann Beauvais? Visually, it consists of roughly 40 minutes of videotext in movement and...

This film considers the subject of HIV and AIDS from a variety of different viewpoints. On the one hand using textual material in both English and...

Study of the Mont Sainte Victoire.

A found footage film about the war. A film which inscribed his refusal of the manipulation of the media coverage of the last holy war of the American...

VO/ID juxtaposes two separate texts, one in French and the other in English. The texts question art and experimental cinema, the role of the market...

Film boundaries explore the garden geometry of the royal paths at Versailles, wandering among gilded statues and dry fountains. Nostalgia for bygone...

With QUATRE UN we are in the presence of four images (from the film R) each of which reflects the adjacent one, horizontally and vertically. The...

DERRUBADA NÃO! is a film essay deploying a reflection via an experiment whose objective is to measure the impact of an artistic gesture that...

A Cinetract about a pandemic.

Either the meter: unit of measure. Either the frame: space time unit within the film strip. Either 24fps: speed unit of the apparatus. Either the...

The is the first filmed diary made by Yann Beauvais.

"Take the path >>>>Still Life>>>> Hezraellah >>>>> of a curfew>>>>> exonerating affection" – Edson Barrus

First sketch of a new work featuring the movement of objects and devices. From one screen to another, without changing platforms, we change trains or...

A condensation of my philosophy master that I had written between 1974 and 1975. My first film as text.

A short trip to Buffalo in order to show some of my works, invited by Paul Sharits.

Mis en pièces means in French taking into pieces, but it could mean to set up a play, or to deconstruct a play. The film is about a theater...