Harun Farocki Filmes
- 2025

Make Up
Make Up02025HD
“The make-up artist Serge Lutens is shown covering a model’s face with powder then working it into her face over several minutes. The...
![Make Up]()
- 1986

As You See
As You See6.61986HD
In 'As You See', Farocki searches for those instances and facts in the history of technology that have been overlooked or ignored, also exploring the...
![As You See]()
- 2003

Eye / Machine III
Eye / Machine III02003HD
The third part of the Eye/Machine cycle structures the material around the concept of the operational image. These are images which do not portray a...
![Eye / Machine III]()
- 1982

Before Your Eyes - Vietnam
Before Your Eyes - Vietnam01982HD
Before Your Eyes – Vietnam (1982) is an unconventional essay film by Harun Farocki that interrogates the visual and ideological legacy of the...
![Before Your Eyes - Vietnam]()
- 2007

Übertragung
Übertragung6.32007HD
Examines monuments scattered all over the world that have become goals for pilgrims and tourists and now serve to meet a whole range of different...
![Übertragung]()
- 1986

Filmbooks
Filmbooks01986HD
A review of film books old and new.
![Filmbooks]()
- 1994

Re-education
Re-education01994HD
Farocki revisits the executive trainer from his earlier "Die Schulung" (Indoctrination, 1987), this time holding a seminar with ex-GDR employees of a...
![Re-education]()
- 2007

Deep Play
Deep Play02007HD
Harun Farocki’s work Deep Play is made up of various perspectives on the final of the 2006 World Cup.
![Deep Play]()
- 2005

Aufstellung
Aufstellung102005HD
The diagrams used to help represent consumer shopping baskets, the pensions deficit or migration are anachronistic, Farocki posits; Whether...
![Aufstellung]()
- 1970

Die Teilung aller Tage
Die Teilung aller Tage01970HD
A worker is sitting at a conveyor belt on which light bulbs are coming in at regular intervals. He takes the light bulbs from the conveyor belt and...
![Die Teilung aller Tage]()
- 1979

The Taste of Life
The Taste of Life01979HD
For years I've been looking for the means to capture everyday life just as it is perceived through a glance from the street. Twenty years ago, you...
![The Taste of Life]()
- 1999

Deutsche Polizisten: Viele Kulturen - eine Truppe
Deutsche Polizisten: Viele Kulturen - eine Truppe01999HD
Documentary about the german police force.
![Deutsche Polizisten: Viele Kulturen - eine Truppe]()
- 1978

A Picture of Sarah Schumann
A Picture of Sarah Schumann01978HD
This Harun Farocki film shows the creation of a picture on which the artist worked for nine weeks. Sarah Schumann lives in Berlin and is a pioneer of...
![A Picture of Sarah Schumann]()
- 2010

The Silver and the Cross
The Silver and the Cross02010HD
The work examines the painting Depiction of the Cerro Rico and the Imperial City of Potosí (Oil on canvas, 262 x 181 cm) by Gaspar Miguel des...
![The Silver and the Cross]()
- 1966

Two Paths
Two Paths01966HD
This short piece for the television station Sender Freies Berlin (SFB) is highly relevant to Farocki's later work. Zwei Wege is a cheeky description...
![Two Paths]()
- 2010

Serious Games 3 – Immersion
Serious Games 3 – Immersion02010HD
An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a...
![Serious Games 3 – Immersion]()
- 2004

Counter-Music
Counter-Music72004HD
The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images,...
![Counter-Music]()
- 1970

Häuser 1–2
Häuser 1–201970HD
![Häuser 1–2]()
- 1993

A Day in the Life of a Consumer
A Day in the Life of a Consumer51993HD
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials...
![A Day in the Life of a Consumer]()
- 2002

Eye / Machine II
Eye / Machine II02002HD
In Eye/Machine II, Farocki has brought together visual material from both military and civilian sectors, showing machines operating intelligently and...
![Eye / Machine II]()


















