Stan Brakhage Filmes

A series of individual portraits of friends and family, all interrelated in what might be called a branch growing directly from the trunk of SONGS 1...

To the child mind, the transformative sacrificial power of "O, Lamb of God" is a daily manifestation - not as an adult shift-of-interest, but rather...

This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system...

A film photographed in Amsterdam but dedicated to capturing a quality of mind engendered there - not, certainly, alienation (as often in travel) but...

“Films made by the five Brakhage children; Brakhage arranged them in this form but did not edit them.” –Robert Haller

"I had a camera with which I could make multiple superimpositions spontaneously. It had been lent to me for a week. I was also given a couple of...

Phos equals light, but then I did also want that word within the title which would designate place, as within the nationalities of "the fabulous" - a...

Featuring a card game played on the body of a naked woman, Lawrence Jordan portrays male sexual frustration while slyly satirizing Hollywood reaction...

Featuring stylized visual storytelling, this rarely seen film by famed experimental filmmaker Stan Brakhage was produced for the Colorado Department...

Part of Three Hand-Painted Films, Night Music (originally painted on IMAX) attempts to capture the beauty of sadness, as the eyes have it when closed...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

This hand-painted, step-printed film begins with several seconds of blank white (interrupted by red and brief electric yellow) and then proceeds to...

Three TV "concretes."

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...

“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set...