Germaine Dulac Filmes

Scenes from two dances: one in the 19th century, one in the 20th century.

In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the...

A young doctor is asked by her husband to choose between her profession and her family.

Popular songs accompany two scenes of happiness: a jovial railway worker and a group of children dancing.

A destitute, drunk woman appears to yearn for the life of a streetwalker.

Since 1930, unemployment grows in France. A family, living in the country, is facing economic hardship. The father hesitates to spend his money to...

Germaine Dulac shot a film in 1935 that she entitled “Le Cinéma au service de l’histoire” – a panoramic perspective on...

An industrialist badly in need of money hopes to marry his daughter off to a rich suitor, but she only has eyes for her penniless childhood...

An orphan falls for the son of her benefactor, and decides to poison her rival for his affections.

A 1935 film supervised by Marceau Pivert and Germaine Dulac and produced by the French section of the Workers' International.

A phonograph record inspires lyrical thoughts in a young man and woman in love.

I evoke a dancing woman. A woman? No. A bouncing line with harmonious rhythm. I evoke a luminous projection on veils ! Precise matter! No. Fluid...

The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees,...

Carmencita Garcia, a Spanish flamenco dancer, performs two dances.